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Spectrasonics also refreshed Live mode, making it even more functional. All you need to do is to grab a sound and drag it into the Omnisphere interface. I assume plenty of you are thinking: what should we do with granular synthesis if it is only limited to the waveforms that come with Omnisphere? Well, that’s not true anymore, because now you can load in any audio file and use it with the granular or as a sample based waveform that you can process through all of Omnisphere’s filters/effects/etc. If you take the time, you can easily come up with some very original solutions.
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With granular synthesis we can go crazy, as now we can select a part of a sound inside a new waveform window made for this purpose, and the end result is just dependent on – or we should say, limited by – your imagination and your free time. There are a host of other new additions including new wavetables and new State Variable filters. Now everything looks more up to date and, best of all, it is now resizable, allowing you to modify the plug-in size according to your needs. Next is the redesigned main graphical interface. It’s no big deal to set up four oscillators per layer. If the chosen hardware synthesizer has only one oscillator it doesn’t mean that you have the same limitations inside Omnisphere. Of course, as with all software, Omnisphere can easily overcome some of the limitations of those hardware synths.
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Hats off, Spectrasonic! Hat’s off!Īs Omnisphere 2.5 brings four layers per patch instead of the previous two, you can just imagine how some of those new sounds can sound. I immediately went to some Access Virus sounds as I had that synth in the past, and was delighted to hear all those fat and nasty analog sounds from that model inside Omnisphere. Of course, along with all those hardware synth adopted waveforms, we get over 1,000 new presets that can be found inside the Hardware Library directory. Not only that, if this synth has some specific set of effects, like Chorus and Flanger, tweaking any knob in the effect section will automatically load those two effects – Chorus and Flanger. So, what actually does this “support” really mean? It means that when you choose one specific model Omnisphere will load the appropriate set of waveforms and filters for that model and the end result – the sound produced inside Omnisphere – will definitely have the character of that specific hardware model. One thing is that Omnisphere now models a large number of well-known analog and virtual analog synths, along with some digital hardware models, and Spectrasonic claims that there will be even more of those in the future. But now it also support, actually work with a whole palette of synths that have their own unique character and sound, and this is just a start. What initially crosses your mind is that Omnisphere now supports your MIDI controllers and now you can use it without doing any additional programming. No matter which source you got your information from about this update, the first thing you would have heard about is the hardware integration. As you can imagine, the devil is in the detail. But having tried all those new synths I should tell that this far from the truth. When you first read through the promo text explaining what’s new, you can easily get the wrong impression that the additions are just a “nice to have”, nothing much really. Secondly, the enhancements make this already legendary synth even better, if this is even possible.
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technology giving users dramatic new production and performance capabilities.Omnisphere 2.5, an impressive update for an already impressive virtual instrument – the best part: it’s a free update for all Omnisphere 2 users.įirst of all, Omnisphere 2.5 is a free update for all Omnisphere 2 users. Stylus RMX is the first product to offer the combined power of Groove Control® with S.A.G.E.
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Stylus RMX™ is a best-selling groove-based virtual instrument plug-in for Mac and Windows. Stylus RMX Xpanded - Realtime Groove Module With its comprehensive design, Trilian brings many different types of Bass together into one extraordinary-sounding virtual instrument. Trilian® is the total solution for Bass from Spectrasonics. Ten years in the making, the 36 rare and sought-after keyboards were carefully restored and then deeply multisampled to inspire you to PLAY! KEYSCAPE™ is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. This award-winning plugin brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration. Omnisphere is the flagship synthesizer of Spectrasonics® - an instrument of extraordinary power and versatility.
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